Barolo’s Tale of Three Cities: Excellent 2021s, Underrated 2020s and Currently Quizzical 2019s, Part 1

When it comes to Barolo’s latest trio of overall excellent vintages (2021, 2020 and 2019), one could hardly be blamed for getting the urge to paraphrase Dickens and refer to them as  “A Tale of Three Vintages”.

by Ian D’Agata

When it comes to Barolo’s latest trio of overall excellent vintages (2021, 2020 and 2019), one could hardly be blamed for getting the urge to paraphrase Dickens and refer to them as  “A Tale of Three Vintages”.

There is little doubt as to the vintages being, at the very least, good ones, ranging to potentially outstanding and memorable: however, the question that arises is just how good all three are. When a wine region, any wine region, has the good fortune to enjoy what are obviously three successive good vintages, the risk is always the same: inevitably, one or more vintages will get overrated, and/or one or two will be underrated. To keep things simple, the easiest and actually fairly accurate way of looking at the 2021, 2020 and 2019 vintages is to do what I have already described in my recent two-part Barbaresco article (Please see the Ian D’Agata Wine Review: —-), that being to consider them to be somewhat reminiscent of two other remarkable “vintage trios” in Barolo’s history: those being the vintages of 2001, 2000, and 1999 and of 1990, 1989, and 1988. The latter trio was the one that, in retrospect, was judged most correctly: right from the start, 1988 looked to be a year of classic, ageworthy and overall excellent if perhaps slightly unexciting Barolos; the wines of 1989 had “century year” written all over them, and that remains true to this day; the wines of 1990 fell somewhere in between the other two, seemingly embodying the best qualities of both vintages, though in retrospect this was the year of the three that was slightly overrated. By contrast, the next trio of vintages, 2001, 2000 and 1999 was always going to set up a certain portion of wine critics for a fall. Part of the problem was that these three vintages followed what had already been (wrongly) classed as outstanding vintages (the very disappointing and vastly overrated 1997s and the too tannic, fruit-challenged 1998s); but the bigger problem was posed by 2000, a hot vintage that gave initially fat, fleshy wines that always cause most critics to fall for them head over heels, despite usually a lack of refinement and questionable tannins. The likelihood of overrating 2000 was made that much easier because it was the “millennium vintage” (and therefore one that everyone and their sister wanted to talk and write highly about, and that even in spite of what was sitting in their glass). Today, we now know that while 1999 and 2001 are two of the greatest vintages in Barolo’s history and were mostly called correctly, 2000 was in fact overrated with many roasted wines that lacked lift (ie. they showed the effects of a hot growing season). Very few 2000s will go down in history in the top 10 vintages of any respective winery (Bruno Giacosa’s memorable 2000s are an exception to that general rule of underwhelmingness).

So the question arises: just how good are the 2021, 2020 and 2019 vintages?

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Ian D’Agata
Ian D’Agata

Ian D’Agata is an internationally famous, multi-award winning author who has been speaking and writing about wine for thirty years. His latest books (Native Wine Grapes of Italy, Italy’s Native Wine Grape Terroirs, Italy’s Grapes and Wines: The definitive Compendium Region by Region and the most recent, Barolo Terroir) are considered the bibles of Italian wine and have received numerous prestigious awards such as the Louis Roederer International Wine Awards “Book of the Year” title, the Gourmand World Book Awards “Best European Wine Book” and being named to the “Best Wine Books of the Year” lists of newspapers and magazines such as the NY Times, the Financial Times and Food & Wine. For eight years, Ian has also been the co-author of the Italy section in Hugh Johnson’s Pocket Book of Wine, the world’s best- selling wine guide with 46 editions to date and over 12 Million copies sold all over the world; he has since been also put in charge of the Alsace and Malta sections.
He is the is currently the President of Ian D’Agata Wine Culture, one of China’s wine education platforms, that includes the Ian D’Agata Wine Review and the Ian D’Agata Wine Academy. Ian is a former staff writer at Stephen Tanzer’s International Wine Cellar, Contributing Editor of Decanter, and Senior Editor of Vinous. His writings have always focused on the wines of Italy, France, China and Canada, for which he has won numerous international awards and accolades, including the Comitato Grandi Cru d’Italia “Best Youngest Wine Journalist of Italy” and the “Best Wine Journalist of Italy” awards, as well as Canada’s 2018 VQA award (Out of Ontario section) and 2017 Cuvée Award of Excellence.
Intensely devoted to the research and study of native wine grapes, Ian was officially named in 2015 to Italy’s prestigious Accademia della Vite e del Vino (Italy’s official association of wine academicians, researchers, and university professors) and is currently the Vice President of the Association Internationale des Terroirs.

Contacts: Instagram: @ian_dagata; Email: iandomenicodagata@outlook.it

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