The Outstanding Barolo 2021,2020 And 2019 Riservas, and Other Late Releases, Part 1 (A-F)

by Ian D’Agata

Like every year, during 2024 I spent another month or so in Barolo and Barbaresco tasting with producers and on my own as many as humanly possible of the year’s new and recent releases. I got off to an even faster start than usual this year, in 2025, as I have already spent three weeks in Barolo and Barbaresco in February and April 2025; the good news is I came away from my tastings and visits with the impression that the 2021 vintage offers a superb lineup of wines that will thrill my readers and wine lovers everywhere. Add that the 2020 and 2019 Riserva wines, both from very good to excellent years, are also quite good, and you understand why I had a really fun time overall tasting away and talking to folks at the wineries. Clearly, there are times when wine tasting hundreds and hundreds of wines can be a real slog, but this year was not one of those times. For the most part, the 2021 Barolos are very classic wines (in some ways throwbacks to the wines of the 80s and 90s), the best of which magically combine fruit, power, age-worthiness and silky tannins. They embody the new course in Barolo, a reality made up of lighter extractions, generally fresher wines, and often, the use of whole bunches, in some percentage. Are there in 2019 the sheer numbers of unforgettable wines as there were in 1971, 1978, 1982, 1989 and 2001? Frankly, no: but the overall average quality of the wines has arguably never been higher. Or to put it another way, truly bad Barolo is a rare thing: in 2019, it’s rarer still, and the vast majority of wines range from very good to outstanding.

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Ian D’Agata
Ian D’Agata

Ian D’Agata is an internationally famous, multi-award winning author who has been speaking and writing about wine for thirty years. His latest books (Native Wine Grapes of Italy, Italy’s Native Wine Grape Terroirs, Italy’s Grapes and Wines: The definitive Compendium Region by Region and the most recent, Barolo Terroir) are considered the bibles of Italian wine and have received numerous prestigious awards such as the Louis Roederer International Wine Awards “Book of the Year” title, the Gourmand World Book Awards “Best European Wine Book” and being named to the “Best Wine Books of the Year” lists of newspapers and magazines such as the NY Times, the Financial Times and Food & Wine. For eight years, Ian has also been the co-author of the Italy section in Hugh Johnson’s Pocket Book of Wine, the world’s best- selling wine guide with 46 editions to date and over 12 Million copies sold all over the world; he has since been also put in charge of the Alsace and Malta sections.
He is the is currently the President of Ian D’Agata Wine Culture, one of China’s wine education platforms, that includes the Ian D’Agata Wine Review and the Ian D’Agata Wine Academy. Ian is a former staff writer at Stephen Tanzer’s International Wine Cellar, Contributing Editor of Decanter, and Senior Editor of Vinous. His writings have always focused on the wines of Italy, France, China and Canada, for which he has won numerous international awards and accolades, including the Comitato Grandi Cru d’Italia “Best Youngest Wine Journalist of Italy” and the “Best Wine Journalist of Italy” awards, as well as Canada’s 2018 VQA award (Out of Ontario section) and 2017 Cuvée Award of Excellence.
Intensely devoted to the research and study of native wine grapes, Ian was officially named in 2015 to Italy’s prestigious Accademia della Vite e del Vino (Italy’s official association of wine academicians, researchers, and university professors) and is currently the Vice President of the Association Internationale des Terroirs.

Contacts: Instagram: @ian_dagata

Email: ian.dagata@iandagatawine.com

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